Total Pageviews

Thursday, December 13, 2018

Thursday, December 13, 2018



American Literature
13 December 2018

Objective: To continue our study of Transcendentalism with excerpts from Walden, focusing on Thoreau’s uses of figurative language. (STANDARD RL.4, RI.9)

Success Criteria: Students will show mastery by locating and analyzing an example of figurative language in Thoreau’s Walden

Agenda:
1.      SSR with Notebook entry #19 – 25 min
2.      Grammar Quiz #10 - 10 min
3.      Read Thoreau’s “from Walden” p. 261 – 25 min
4.      EXIT SLIP: p. 269 Literary Concept: Figurative Language – 10 min
5.      Chapter Expert Presentations for Divergent Chapters 1-10 – 25 min

Assessment: EXIT SLIP p. 269 Literary Concept: Figurative Language

 Homework: Finish Divergent Ch. 36-39 p. 445-487; Review for UNIT TEST #2: Individually or with a table partner, continue to fill out Unit Test Study Guide in the Notes Packet

AP English Literature and Composition
13 December 2018

Student Learning Objective: To identify the many tools that Dickens uses to create suspense. (STANDARD RL.4)

Success Criteria: Students will show mastery by making a list with a table partner of Dickens’ numerous uses of author’s craft in this section of the novel.
  
Agenda:
1.             Chapter Expert Presentations
a.       Book the Third, Chapter 2 – Ben
b.      Book the Third, Chapter 3 – Kylie
c.       Book the Third, Chapter 4 – Arlena
d.      Book the Third, Chapter 5 – Betsie
e.       Book the Third, Chapter 6 – Kylie
f.     Book the Third, Chapter 7 - Emma
2.        Introduce Book the Third, Chapters 8-10

Assessment: Class Discussion Questions, BTT, Chapters 2-7
1.        III, 2: How is Lorry’s exclamation, “Thank God that no one near and dear to me is in this dreadful town tonight” (264) ironic?
2.        III, 2: How does the scene with the grindstone considerably heighten the suspense?
3.        III, 3: Mr. Lorry explains Madame Defarge to Lucie: “There are frequent risings in the streets; and although it is not likely they will ever trouble you, Madame Defarge wishes to see those whom she has the power to protect at such times, to the end that she may know them – that she may identify them” (272).  Do you think Madame Defarge will be protecting Lucie and her family?  Why or why not?
4.        III, 4: In the past, stressful events would have put Dr. Manette into a relapse.  Why doesn’t he relapse in this very stressful situation/environment?
5.        III, 4: Dickens repeatedly uses personification and imagery to show how violent the revolution has become: “Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world—the figure of the sharp female called La Guillotine. . . . it was the best cure for headache, it infallibly prevented the hair from turning grey… and it was bowed down to and believed in…. It sheared off heads so many, that it, and the ground it most polluted, were a rotten red” (Dickens 278).  Why does Dickens interrupt his narration about Charles Darnay with this paragraph (paragraphs)?  What is the effect on the reader when La Guillotine surrounds Charles Darnay?
6.        III, 5: What is coincidental about the wood-sawyer who lives in the vicinity of La Force?
7.        III, 5: Dickens includes the Carmagnole into this chapter of his historical fiction novel.  Why did this dance scare Lucie?
8.        III, 5: The suspense increases at the end of this chapter: “Who could that be with Mr. Lorry—the owner of the riding-coat upon the chair—who must not be seen?  From whom newly arrived, did he come out, agitated and surprised, to take his favourite in his arms?” (Dickens 285).  With so much foreshadowing surrounding La Guillotine, how does Dickens introduce this new mysterious character at the end of the chapter in a way that makes the reader even more concerned for Charles Darnay’s safety? 
9.        III, 6: Why does Dickens summarize the questions asked of Darnay and his responses rather than write the dialogue?  What is the effect on the reader?
10.      III, 6: As a discerning reader, do you find Charles’ exoneration unsatisfying?
11.      III, 7: What is foreshadowed in the first two paragraphs of Chapter 7?
12.      III, 7: Predictions?

Homework: A Tale of Two Cities, Book the Third Chapters 8-10 p. 298-338 (40 pages)

Wednesday, December 12, 2018

Wednesday, December 12, 2018



American Literature
12 December 2018

Objective: (1) To be exposed to the characteristics of the Transcendentalism Literary Period. (2) To locate and analyze Transcendentalist characteristics within Emerson’s “Self-Reliance.” (STANDARD RL.9, RI.9)

Success Criteria: Students will show mastery by (1) selecting “bumper sticker” worthy lines from the text and (2) selecting their favorite Emerson aphorism.

Agenda:
1.      Grammar Notes #10 - 15 min
2.      Intro to Transcendentalism – Prezi Notes – 10 min
3.      Read Emerson’s “Self-Reliance” p. 253 with EXIT SLIP – 15 min
4.      Continue Divergent Ch. 32-35 – 20 min

Assessment: EXIT SLIP: Side #1 – Which line from “Self-Reliance” would make a good bumper sticker? Side #2 – Copy down your favorite aphorism from p. 257.

Homework: Divergent Chapters 32-35 p. 408-444; Chapter Expert Presentations for Chapters 1-10 need to be ready to present on Thursday, 12/13; Chapter Expert Presentations for Chapters 11-25 need to be ready to present on Friday, 12/14

AP English Literature and Composition
12 December 2018

WOD: tumbril (noun): a farmer’s cart, especially one for hauling manure, that can be tilted to discharge its load; a wheelbarrow; one of the carts used during the French Revolution to convey victims to the guillotine

EX: “…not even the Doctor’s entreaties could prevent his being carried to his home on men’s shoulders…he more than once misdoubted his mind being in confusion, and that he was in the tumbril on his way to the Guillotine” (Dickens 291). 

Student Learning Objective: To discuss the imminent conflict produced by Gabelle’s letter to Charles Darnay (and to critique the author’s choice in introducing this conflict with a letter). (STANDARD RL.5)

Success Criteria: Students will show mastery by debating the effectiveness of introducing a conflict in this way by making a pro and con chart with a table partner. 

Agenda:
1.             Chapter Expert Presentations – 40 min
a.   Book the Second, Chapters 22 – Marcus
b.   Book the Second, Chapter 23 – Emma
c.    Book the Second, Chapter 24 – Ben
d.   Book the Third, Chapter 1 - Chloe
2.             Introduce Book the Third, Chapters 2-7 – 10 min
3.             Literary Device: Satire – 5 min
4.        Discuss “A Modest Proposal” – 10 min

Assessment: Class Discussion Questions, BTS, Chapters 22 – Book the Third, Chapter 1
  1. II, 22: How did Madame Defarge and the other villagers of St. Antonie treat the prisoner old Foulon?
  2. II, 23: The road-mender has company along the road.  They make some plans.  What is the outcome of these plans?
  3. II, 24: How does Dickens use the letter to the Marquis de Evermonde to generate suspense?
  4. II, 24: What tough decision does Darnay make, and how do you think it will go?
  5. III, 1: What is the full significance of the chapter’s title?
  6. III, 1: Of what is Charles reminded as he paces to and fro in his cell in La Force?
  7. III, 1: How does the readers’ attitude towards Ernest Defarge change in this chapter?

Homework: A Tale of Two Cities, Book the Third Chapters 2-7 p. 262-298 (36 pages)


Tuesday, December 11, 2018

Tuesday, December 11, 2018


American Literature
11 December 2018

Objective: To continue the study of Poe, this time analyzing the meaning as well as author’s craft in “The Raven.” (STANDARD RL.1-2, RL.3-4)

Success Criteria: Students will show mastery by summarizing the plot, identifying the rhyme scheme (internal and external rhyme), alliteration, and consonance.

Agenda:
1.      SSR – 20 min
2.      Read “The Raven” – 30 min
3.      Watch The Simpson’s version of “The Raven” – 10 min
4.      Continue reading Divergent Chapters 29-31 – 30 min

Assessment: Oral discussion 

HomeworkDivergent Chapters 29-31 p. 378-407, Chapter Expert Presentations for Chapters 1-10 need to be ready to present on Thursday, 12/13; Chapter Expert Presentations for Chapters 11-25 need to be ready to present on Friday, 12/14

AP English Literature and Composition
11 December 2018

WOD: beseeching (verb): to implore urgently; to beg eagerly for; solicit

EX: “…torn, bruised, panting, bleeding, yet always entreating and beseeching for mercy” (Dickens 227). 

Student Learning Objective: To discuss the numerous uses of foreshadowing in this section of the novel. (STANDARD RL.4)

Success Criteria: Students will show mastery by making a list of things foreshadowed in Chapters 17-21 and discuss those with a table partner. 
  
Agenda:
  1. Chapter Expert Presentations:
  2. Book the Second, Chapters 17 – Chloe
  3. Book the Second, Chapters 18 – Nate
  4. Book the Second, Chapters 19 – Shelbi
  5. Book the Second, Chapters 20 – Arlena
  6. Book the Second, Chapters 21 - Kasey
  7. Introduce Book the Second, Chapters 22 – Book the Third, Chapter 1
  8. Individually, read “A Modest Proposal” – must be read and ready to be discussed tomorrow

Assessment: Class Discussion Questions, BTS, Ch. 17-21
  1. II, 17: Chapter 17 takes place the evening before Lucie and Charles’ wedding.  What is the mood/tone of this chapter?  Why?
  2. II, 17: What was the new living arrangement to be, so as to not separate Lucie from her fragile, loving father?
  3. II, 18: Why does the Doctor emerge from his conference with the bridegroom deathly pale?
  4. II, 18: What happens to Dr. Manette after the couple leaves for their honeymoon, and how do Mr. Lorry and Miss Pross handle it?
  5. II, 19: Why do Mr. Lorry and Dr. Manette speak of Mr. Lorry’s friend in the third person?  What is resolved with this conversation?
  6. II, 20: What was Lucie’s plea to Charles in this chapter?
  7. II, 21: It is now July, 1789.  How has life changed for Lucie, Charles, and their household? 
  8. II, 21: What is Carton’s relationship with the Darnay family?
  9. II, 21: How does Mr. Lorry’s news indicate the revolution is beginning?
  10. II, 21: For the first time in the novel, Dickens puts both settings (England and France) in one chapter.  Why does Dickens decide to do that here?
  11. II, 21: How does Dickens intensify our repulsion for Madame Defarge?
  12. II, 21: What is foreshadowed in the last paragraph of this chapter?

Homework: A Tale of Two Cities, Book the Second Chapters 22 – Book the Third, Chapter 1 p. 223-262 (39 pages)

Monday, December 10, 2018

Monday, December 10, 2018


American Literature
10 December 2018

Objective: To write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences. (STANDARD W.3)

Success Criteria: Students will show mastery by improving their Creative Piece score from CP #3 to CP #4. 

Agenda:
1.    Student Work Time for Creative #4 – 90 min

Assessment: Creative Piece #4, due at the end of the block

Homework: Divergent Chapters 26-28 p. 333-377

AP English Literature and Composition
7 December 2018

WOD: the turnkey (noun): a person who has charge of the keys of a prison; jailer

EX: “…Defarge, the turnkey, and Jacques Three, linked hand and arm, went with all the speed they could make” (Dickens 220). 

Student Learning Objective: To discuss the three very different, seemingly unrelated subplots in Chapters 14-16. (STANDARD RL.5)

Success Criteria: Students will show mastery by locating and analyzing the seemingly unrelated subplots in Chapters 14-16. 

Agenda:
  1. Chapter Expert Presentations
    1. Chapter 14 – Olivia
    2. Chapter 15 – Penelope
    3. Chapter 16 - Aidan
  2. Introduce Book the Second, Chapters 17-21
  3. Handout “A Modest Proposal” – to be discussed on Wednesday

Assessment: Class Discussion Questions BTS, Ch. 14-16
  1. II, 14: From what point of view is the narrative of Chapter 14 given?  Why does Dickens change it up?
  2. II, 14: What characteristics of Chapter 14 are bildungsroman-like?
  3. II, 14: Before we actually see Jerry in his true professional capacity, what clues does Dickens provide to add suspense?
  4. II, 14: Although we do not see the conclusion of the fishing expedition, how do we know something has gone wrong?
  5. II, 15: What does the road-mender reveal to the Jacques?
  6. II, 15: Explain the significance of Chapter 15’s title “Knitting”.
  7. II, 16: Why does Defarge not answer to the name “Jacques” when greeted by the stranger in the wineshop?  What clue does his wife give him that the stranger is a spy?
  8. II, 16: What information given by Barsad strongly affects the Defarges?

Homework: A Tale of Two Cities, Book the Second Chapters 17-21 p.188-223 (35 pages)